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byMarcus
Minucius-Tiberius Audens
These
Roman "Games" were an important part of Roman life and they were
often the scenes of bloody and horrible displays.
Seneca
writes in his "moral Epistles":
"I chanced to stop in at a
midday
show, expecting fun, wit, and some
relaxation... It was just the reverse... in the morning men are
thrown to the lions and bears, at
noon
they are thrown to their spectators... 'Kill
him! Lash him! Burn him!...' And when the show stops for
intermission, -- 'Let's have men killed meanwhile! Let's not have
nothing going on!"
The Romans believed that anyone who did not embrace the laws of
Rome
should be punished and that punishment should
be done in a public way. The "games" were a perfect way to
accomplish this, since it relieved the government of the necessity of
maintaining a long term prison system, it provided entertainment for the
masses of Roman Citizens whose lives were otherwise often not noteworthy, and
it provided a convenient way to dispose of those who disrupted the Republic or
the Empire by revolution or by a desire for other social change. The
possessions and belongings of those sent to the "Games" were
confiscated by the government and provided a good income for the Emperor with
which to wage war or hold further games and similar events.
Of course probably the best known participants in the games, that are known
today were the gladiators, who like modern day sports contestants faced each
other individually, much as boxers, or fencers do in the present day,
with the exception that these gladiators were armed and were fighting for
blood and death. These were the primary combatants which were wagered
upon, and provided training and even to the successful few were provided their
freedom, if they were slaves, as most were.
The amphitheatres, which literally translates to mean "double
theatres" were normally where the "games" were held. In
Pompeii
the amphitheatre was oval in shape and could
accommodate approximately twice the population of the city proper (about
20,000 spectators). In both the South and North of the structure were
the main entrances which led to the seating. This seating was in three
distinct areas based solely upon the nearness to the action in the arena.
In one side (West) of the arena there was a smaller doorway leading to a
darkened passage. This opening was called the "Death Gate"
through which the dead were taken after the events. These dead were not
wasted. The clothing, armor and weapons, if any, were stripped from the body,
and the flesh was then used to feed the carnivores held in the cages below or
around the amphitheatre.
The ancient traditions of some of these games very likely were derived from
the hill people who were the inhabitants of the highlands in the South of
Italy in the early years of the
Roman
Kingdom
and the Republic. One of the type of
Gladiators that were featured in the "Games" were what was known as
a "Samnite" This name identification can be traced back to these
people of the hill country. In addition, the weapons / armor design
carried and used by this class of gladiator is clearly traceable to this era
and period of these peoples.
However, many of the participants were unwilling and untrained ones. These
were condemned criminals, and religious extremists who were often compelled to
fight each other to the death, or simply stripped naked and led out before
angry and hungry wild beasts to be killed. In addition to those people
killed in the "Games" thousands of exotic animals also perished.
These animals brought in from the extremities of the empire, were trapped,
confined and shipped at great expense to the various "Game"
Amphitheatre's throughout the empire, the largest of which was the Coliseum in
Rome
. These included:
--Bear from Britannia;
--Wolfhound from
Ireland
;
--Wild Boar from Italia / Raetia;
--Aurochs from
Noricum
;
--Bulls from
Macedonia
;
--Horses from Espania;
--Wild Ass from
Mauritania
/
Syria
;
--Rhinoceros / Leopard from
North Africa
;
--Camel / Gazelle from
Cyrenaica
;
--Crocodile / Hippopotamus form Aegyptus;
--Lion /Tiger from the lands beyond
Syria
/
Judea
.
Even ostriches were used in these games in order to show the Roman Citizens
the generosity of the sponsor of the games in providing the most unusual
animals of the world. Ostrich meat also appears in some Roman food dishes and
is also offered today in meat markets around the world..
The use of these animals were either to be set upon naked people to kill them
in horrible ways, or to be hunted through elaborate staged hunt-performances
which featured extremely realistic sets and scenery which included, we are
told, real trees, and other very detailed backgrounds for the events.
Some specific and notable items in the Chronology of the Gladiator Games are
below submitted for your interest:
--174 BC. Flaminius' games in
Rome
feature 74 fighters who fight over three
days....(1)
--165 BC. The playwright Terence complains that his popular play "The
Mother In Law" is abandoned by the audience, because someone announces a
gladiatorial contest is starting in the arena nearby; (2)
--46 BC Julius Caesar stages infantry, cavalry and elephant battles
totaling more than 1,200 fighters (3);
--AD 107 The Emperor Trajan stages a four -- month period of
entertainment with 10,00 fighters in the Coliseum. Thousands of fighters
perish; (4)
The above examples give some indication of the rise in popularity of Gladiator
Fighting.
Of all of the "Games" organized by the Emperors and their staffs
were, we are told, the great sea battles fought in flooded amphitheatres and
on nearby lakes which were prepared or reserved for the purpose.
While this history may well be disturbing to the modern reader as well as a
few of those ancient viewers, it was probably no worse than those of the
modern world who have a taste for modern competitions such as car racing, or
television in which the audience hopes for injury and death to occur and who
are seldom disappointed.
In the period of A.D. 395 to 423 the gladiatorial combats were banned by
Imperial decree,, but the Roman "Games" still live on in the
spectacular "games" of bullfighting in the arenas of
Spain
,
Mexico
and
Southern France
.
References:
"The Penguin Historical
Atlas of Ancient
Rome
," Chris Scarre, Penguin Books, 1995;
"
Pompeii
," Peter Connolly,
Oxford
University
Press, 1994;
"Gladiators, 100BC - AD 200," Stephen Wisdom (illustrated by
Angus McBride),Osprey Publishing--Warrior Series, 2001
Foot notes:
"Gladiators....."
-- Items (1) through (4), pages 7 and 8.
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Another
View of Ancient Rome
byMarcus Minucius-Tiberius Audens
M.
Epidius Hymenaeus, as old age came upon him, became an affable, if slightly
sententious host to the guests who graced his home. He could not, though
supposedly he resisted the temptation mightily, having the following judicious
advice painted upon the walls of his guest's dining room:
-- There is a slave to wash and dry the guest's feet;
-- There is a napkin to protect the cushions of the couch, please be careful
not to dirty the cloth;
-- Refrain from lecherous looks and do not make eyes at the women of the
household;
-- Converse upon respectable subjects;
-- Keep your temper and abstain from provoking others as much as possible, and
if you can't, -- go home."
This
writing was found in a Pompeiian home.
Reference:
Ed. Gilbert Charles -
Piccard, "Larousse -- Encyclopaedia of Archaeology," Chartwell
Books Inc., 1972
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Hadrian’s
Wall
Hartwhistle Burn Fort and Mill
byMarcus Minucius-Tiberius Audens
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Along
Hadrian's Wall
in
Great Britain
lies the subject fort. This area is
designated as a "fortlet" and was first excavated in the year
1908. The fortlet maintains a strong position and covers a fairly wide
area of land. The size of this fortlet and it's accompanying
structures is approximately 240 feet by 170 feet and encompasses nearly
three-quarters of an acre.
The northern aspect of the fortlet lies
approximately 1100 feet south of the Vallum (see definitions below) and
approximately 1500 feet South of the Wall itself. The small stream,
"Hartwhistle Burn" bounds the area to the East.
Approximately 350 feet south of the fortlet is the present - day highway
(B6318 --
Carlisle
to
New Castle
) which bounds the area to the south in an
east-west direction. The
Military Way
(see definitions below) is shown here as connecting the
Cawfields
Mile
Castle
(42), the temporary camps, the fortlet and
the Stanegate.
(click on drawings for larger view)
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The
Vallum in this area runs roughly parallel to the Wall, and just to the
North and West of where the wall crosses Hartwhistle Burn, is the remains
of a fine section of the defensive ditch. Just to the West of the
Wall at it's stream-crossing point (about 300 feet) can be found the
excavated remains of a Roman Water Mill (see figure #2). The mill
base was set just to the West of the Burn (about 50 feet or so) and
positioned on a water diversion ditch (millrace) which had been dug
breaching the Hartwhistle Burn above and below a stone weir which was
apparently built at this time and intended to raise the level of the water
upstream of the weir to facilitate a steady flow of water past the mill
through the mill-race.
The mill structure itself is a stone foundation built in a rectangular
block set at right angles to the millrace. The mill's upper
structure was probably made from wooden framing and willow / plaster
fill-in. The waterwheel was made of wood and was positioned as an
"undershot" wheel. The large millstones were found on site and
are now preserved and can be seen at the
Chester
's Museum. The mill-race is
approximately 200 feet long, and for about 50 feet directly opposite the
Mill building has a stone wall on the opposite side of the mill race which
helps to support the waterwheel and guard against erosion of the
mill-race. In the modern day the mill site was destroyed by he
spoil from the Cawfields Quarry. There is a small mound or hill
between the Burn and the Mill-race. To
the southeast, the mill-site is protected by high ground. Leading
eastward from the rear of the mill is a pathway / narrow road which
probably served to remove the finished produce from the mill
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The fortlet's rampart is faced with stone
and inside the fort, the buildings are constructed of stone as well.
There are only three postern gates instead of the usual four. The
posterns to the East and South were open, while the postern to the West
was apparently closed sometime after the fortlet's construction.
There is no Northern postern. The stone buildings which are
obviously barrack buildings are found in the Northern portion of the
fortlet together with the Centurion's quarters and the baking ovens. A
small administration building and a granary complete the fortlet's
structures, and are placed near the center of the fortlet. There is
also a stone-wall enclosed yard just off the granary. There are
drains in the two western corners of the fortlet, with a hearth in the
southwest corner, and some king of flagstones southeast corner.
The Stanegate (see figure #4 and
definitions below) runs East and West through a cutting, then crosses the
Hartwhistle Burn and passes under an embankment close by the fortlet,
where it joins with the Southern postern gate. The Stanegate in this
area extends from Carovan to Vindolanda. The fortlet barracks
buildings are only suitable for a small garrison. During the
excavation of the granary it was found to be heavily buttressed which
helped in it's identification. This fort was very carefully
demolished sometime after it was constructed, probably about the time when
the forts were shifted to the Wall's front.
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Near
the fort are a number of what appear to be temporary camp areas. There are
a total of nine such areas, and these may well have been used by the
soldier's building the Wall. There are the following camps in
addition to the two shown near the fortlet proper, which make up the nine
mentioned above:
--A medium sized camp South of the main road;
--One 500 yards west of the Fortlet site;
--Four lie along the line of the Stanegate, to the West approximately two
miles;
--A very large one at Fell's End;
--Two camps are North of the Wall.
All
nine of these above listed camp areas can be seen on the
Hadrian's Wall
Ordnance Survey map. The area within the
fortlet around the Admin. Bldg. Granary, and the East and South posterns
is paved with stone. The East postern gate road also joins the
Stanegate some distance (about 300 feet) to the East.
Definitions
Stanegate
-- Before the time of Hadrian lateral communications had to be along what
we now call the Stanegate. This is the
Roman Road
which ran from Corbridge to
Carlisle
. The name means "stone road", a name given in the
Middle Ages, to distinguish it from the normal unpaved trackways. It was
used primarily to bring in heavy supplies.
Vallum
-- To the South of the Wall was a large earthwork called the Vallum.
Unlike the Ditch to the North it was flat bottom and twenty feet wide and
ten feet deep. The upcast was usually piled in two continuous mounds at a
distance of thirty feet. The total width of these earthworks, two
mounds. two berms, and ditch was 120 feet. At the forts the Vallum
was crossed by a stone causeway. The Vallum went out of use about
A.D. 140 and at regular intervals of 45 yards the two mounds were breached
and their soil was used to form a causeway across the ditch..
The
Military
Way
-- After some years of use a
Military Way
was constructed as a means of lateral
communications. Its date is uncertain but it was probably built
subsequent to the destruction of the Vallum. It ran fro mile castle to
mile castle with paths to the turrets. It is now completely
overgrown, but can be traced in places. It was a typical
Roma Road
, twenty feet wide, with curbs.
References:-
Ronald Embleton and Frank
Graham, "
Hadrian's Wall
In the Days of the Romans,"
Publisher, Frank Graham,
Newcastle Upon Tyne
, 1984.
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Therme
by
Marcus Minucius-Tiberius Audens
The
"therme" is a structure and complex of rooms constructed and
utilized for the purpose of public bathing. This type of a building
also served as a place in which could be found a great deal of social
activity and relaxation from the burdens and responsibilities of the day.
These activities were combined and developed to a very high degree of
sophistication during the ancient Roman period of culture.
Public baths have a long history, being known in the palaces of the
Egyptian Kings. However, in these cases the remains were altogether
too fragmented and scarce to reach any conclusions regarding type and
style.
This public style of bathing was also important in the lives of the early
Greeks, as the remaining bathing rooms in the
Palace
of
Knossos
, begun in circa 1700 B.C. will attest.
However, we do not see a standardized type of architectural design of the
"therme" until the Romans designed and built the great imperial
"therme" -- such as the Baths of Titus (A.D. 81), Baths of
Domitian (A.D. 95), Trajan's Baths (circa A.D.100), Baths of Caracalla
(A.D. 217), and the great Therme of Diocletian (circa A.D. 302).
The general design consisted of several different sets of architectural
structures. First there was the wide garden open to the sky, and
secondly this was enclosed by smaller rooms, perhaps used a private club
or family rooms, and lastly a block of chambers relating to the act of
bathing itself, such as the basic three large chambers; the
"frigidarium," "calidarium," and
"tepidarium." These were found with further smaller
bathrooms and courts.
The slaves serviced these rooms by a network of underground passageways.
These passages provided a way for slaves to move swiftly from one part of
the "therme" to another without being seen and without
disrupting those enjoying their leisure. In order to solve the lighting
concerns and to roof over the larger rooms, a very ingenious development
of windows which were actually in or very near to the vault of the roof
(clearstory windows) were devised by the Roman Architects.
In modern times archaeologists have discovered many examples of ancient
sculpture which were located in the baths, one of which was the famous
Laocoon Group from the luxurious Baths of Caracalla in
Rome
. Such findings indicate the richness
of the furnishings of some of the larger and more elegant
"therme" throughout the empire. Walls were often sheathed
in marble to a considerable height, and the floors were also of marble or
in some cases the large and very detailed floor mosaics were found, and
gilded bronze fittings were used throughout with great generosity.
These types of bathing establishments were repeated throughout the empire
in all major and some minor cities using the above essential architectural
form.
The Roman bathing technique, although arguable among some archaeologists,
was believed to be in the following standardized pattern. The bather was
first brought in through the "apodyterium" where he left his
clothing, and then entered the "unctuarium" where he was
anointed with oil, or he could have a quick cold dip. The oil
was used to anoint the skin and the oil also helped to rid the seat and
grime off the body. This was accomplished by the use of
"strigels" (bronze curved scrapers). The oil was contained in
ointment jars, and poured into shallow bronze dishes. All of these
items were found at the public baths in
Pompeii
.
Here too were often donned thick wooden soled clogs to protect the feet
from the heated floor. A pair of these were found in the public
baths at Vindolanda along
Hadrian's Wall
in Roman Britain.. The bather then usually
went into a private room or court and exercised in whatever way he washed
to indulge himself. Following this activity he entered the
"calidarium" (hot room), and to the "sudatorium"
(steam room), then moved to the "tepidarium" (warm room) and
finally to the "frigidarium" (cold room). Here was usually
found some kind of a pool or plunge in which the bather could swim
leisurely should he desire to do so. The bathing process was completed
when the body was once more oiled.
Roman baths were also found in the larger private homes and villas in
Rome
and in the vacation areas outside of
Rome
. The essential feature of a
"thermae" from
Rome
to the outer edges of the Empire was the
ability to furnish sufficient amounts of hot and warm water for the users
of the baths. This was done by the again ingenious methodology of
circulating the heat from a burning fire under the floor through- out the
floors and hollow walls surrounding the supplies of water to be heated.
It was also necessary to supply adequate basins for both the cold, warm
and hot water baths.
As a general rule men and women bathed separately. In the 1st
century A.D. The Roman scholar, Pliny the Elder first records mixed
bathing, but it is thought that the practice was largely limited to
courtesans and was disapproved of by the respectable citizens. The
Emperors Hadrian and Marcus Aurelius prohibited the act of public mixed
bathing during
their reigns.
The plan below is of the Therme of Diocletian in
Rome
. Notice too, the marking of the
Entrances (F), the Vestibules (A), the Apodeteria (dressing rooms) (B),
and the other areas of endeavor including the quiet rooms, libraries and
the theatre.
Reference:
Encyclopaedia Britannica
Peter Connolly,"
Pompeii
,"
Oxford
University
,
London
, 1990
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Saalburg:
A Roman Fort
by D. Claudius Aquilius Germanicus
The Saalburg fort kept watch of the
mountain pass on a ridgeline, imposing today over the
village
of
Wehrheim
,
Germany
. It was here where the Limes crossed,
separating the Romans from the fierce German tribes.
One day, as I was surfing the internet
for a map of surrounding running trains, I noticed that a roman fort was
perched on top of a steep and densely forested hill 2 miles south of
Wehrheim. I’ve seen the hill every day, because of its location and
steep incline. Not knowing what to expect, I searched for the website. The
pictures were small and fuzzy, with a map showing very little to see in
the fort. One late Sunday afternoon, I decided to go up there and check it
out. I planned to give myself an hour thinking that there wasn’t much to
see (and I’ve already been to numerous Roman museums.) As I arrived an
old fort town was just next to the path to the entrance of the fort. Here
one could see shells of ground floors various of the various buildings and
homes, including basements, steps, and wells (99 found in the area). The
remains of the homes are quite small, giving the impression of spartan
living conditions while being stationed far away from
Rome
and in a hostile area. Lining both sides
of the path to the fort, huge distinctive looking trees formed what I
would like to believe is a long arch. (These are the same type of trees
lining the street opposite of
Constantine
's Arch in
Rome
.)
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As I finally arrived at the bridge to cross over the
ancient moat around the fort, I was held breathless at the sight. A
completely reconstructed outer wall and gate with a statue of Marcus
Aurelius greeting the modern day visitor. No imagination, no drawings;
just stones and mortar to bring the ancient past back to life. I then paid
the 2.50 Euro entry fee, and went into the Principia, which was and is a
large banquet hall. In the corners of the room one could read much about
the history of the forts reconstruction. (Quite technical German
vocabulary.) I learned that one could rent the hall for an event such as a
party or wedding for 2,600 Euros plus additional costs. It also showed the
pictures and info of the reconstruction, international press (good and
bad), and bronze busts of Kaiser Wilhelm which were removed from the fort
in 1955. I then went to the main courtyard of the fort. Four Roman
buildings (3 are museums) and 2 wells surround me, giving me a sense of
stepping back in time. I go into the right wing, where the focus is on the
roman army. I was impressed by the quality and the depth of the articles
presented. It was interesting to see authentic spears of various sizes,
along with a replica of a balista and onager. The most famous item in the
museum, however, is the incredible cavalry parade mask (being mentioned in
National Geographic Germany.) Many informational posters (in German)
showed information on life in the camp, feeding troops, bread mills, and
more. The most interesting one was the diagram on how to defend the fort
in times of siege. Another thing that was interesting was the various
mannequins and armor from a number of periods in Roman history.
The next building I went into is a room
with frescos adorning the ceiling and walls with mannequins in togas,
resembling a group of friends together in a upscale villa. Adjoined to
that is the standards sanctuary (aedes principiorum), where the battle
standards were and are kept. The location is significant because this room
is exactly in the center of the fort. The next building I visited has a
number of things on display, from ancient papyrus and wood letters, to
altars, to a diagram of the evolution of the Latin alphabet (through
present day), to a mile stone. The most interesting object was an altar
with very vibrant colors. Reading the description, I found out it was
common to paint them. This reminds me of my trip to
Egypt
, where old temples and memorials were also
painted with vibrant colors, which still can be seen today. There is even
a partly reassembled supply cart, which was the means of the
transportation of goods over land throughout the empire. In this room
there is also informational posters about the empire in general, bridge
building, and the Religio Romana. The next wing I went into has many
posters of the archaeology in the area, postcards and advertisements from
the last 100 years, and even some products which featured the fort on the
label. There is also more information of the reconstruction plans and
about the Kaiser who was the driving force to rebuild the fort.
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With little time remaining before closing I went to the Horreum, which
was the grain building in ancient times. This is the were the main part of
the museum is (if one could believe that after visiting the other
buildings.) I took notes of what was interesting to see here, and it
filled up a page. For brevity I will only mention the items I’ve never
seen on display, not even in the museums I visited in
Rome
. There was a rack of ancient leather shoes
(over 20), which were turned black through time. Next to each is a modern,
tan replica to show the visitor what they looked like (some were in very
good shape and needed no replica for comparison.) The shoes had different
styles; some of them were women’s dress shoes (some being similar to
ones worn today.) In one display case there were racks of fibulas, most of
them painted and with various shapes. My favorite was of a lion. There was
bricks imprinted of Legion XX, Cohors II Raetorum [civium Romanorum]
(which was the unit stationed in Saalburg.) There were all sorts of tools,
including iron works, farming, agriculture, locksmith, and wood works. I
saw board games which I didn’t know existed in ancient times. There was
all sorts of household goods, and diagrams of foreign trade and production
centers, which traced some of the goods found in the fort to
Italy
,
France
, and
North Africa
. Next to a coin display, the visitor is
informed that the pay for a simple professional soldier in the auxiliary
troop is 250 Dinare/1000 Sesteri per year, paid in three installments.
There was some statues for household altars, and the description said
there was "over 500 gods in the roman heaven." As I was leaving
the fort, I saw a small sign for the contubernium. Since I was curious, I
popped my head into a long building, and quickly realized that it was a
reconstructed barracks. Each room had 2 bunk beads for 8 soldiers, with a
small fire place and a small entrance where the soldiers hung up their
equipment. There were ten sleeping rooms to a barrack, and there was a
number of barracks and stables within the walls of the fort. Next door is
a restaurant offering an authentic roman menu, but due to time constraints
I couldn’t sample the cuisine.
Upon
leaving the reconstructed fort I was in a state of awe, having experienced
a connection to the roman times that I’ve never felt before. Before the
summer was over, I went back to the fort with a camera, dictionary, and
plenty of time to explore the surroundings. The second time I went to the
Mithraeum located close to the village outside; I went to a section of the
wooden palisade wall behind the fort; I noticed the wall of the first
stone construction of the fort from 135 ad along with the strengthened
wall on top from the 180's; and since it was an open house day I took a
tour of the Praetorium (present day offices for the fort administration).
I also took a picture of the diagram explaining the expansions to the fort
which will be completed in 2007, the 100th anniversary of the
reconstruction of the fort. I plan on visiting the fort again once the
expansions are completed because a number of buildings will be added.
Some
interesting things about the fort:
The
purpose of the Upper German Limes was not for defense, but for deterrence.
A wooden palisade wall with 2 small trenches behind it was to discourage
tribes from wandering over the border, with guard towers placed nearby
along the wall with a signal system to each other for efficiency in
keeping guard.
500
infantry and 200 cavalry troops were stationed in the Saalburg fort,
making it a medium sized fort in comparison to others constructed along
the Limes. The closest legion camp was in
Mainz
.
In
89 AD the first construction of the fort on the present site took place.
It was about a third of the present day fort and made of wood. That was
torn down and rebuilt with stone around 135. In the 180's, the fort was
destroyed by the German tribes, but was quickly rebuilt. In 233 the
Alemannii destroyed the fort and in 260 the fort, village and entire limes
border was either conquered or abandoned.
There are many events held at the fort for the public today, such as
baking bread in reconstructed ovens, archery practice with replica bow and
arrows, reenactments, and more.
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1999:
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Iulius
Titinius Antonius
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2000:
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Gaius
Minucius Hadrianus, Annia Ulleria Machinatrix, Manius Villius Limitanus,
Gnaeus Octavius Noricus, Lucius Cornelius Sardonicus, Gaius Vipsanius
Agrippa
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2001:
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Spurius
Arminius Carus, Marcus Darius Firmitus, Quintus Postumius Albinus Maius,
Corvus Cassius Taurusis, Cintia Durmia Domna, Gaius Maxentius Silvanus
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2002:
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Gratia
Equitia Marina, Alia Equitia Marina, Paulina Gratidia Equitia, Aulus
Apollonius Cordus,
Demetreus Moravius Barbaricus, Decimus Cornelius Romanus, Quintus Salix
Cantaber
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2003:
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Servius
Equitius Mercurius Troianus
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